Writers, Copywriters 2

Fifth Avenue Bridge  Martin Lewis  1928. Drypoint. 

My coworkers were so different from my classmates. I thought about my workshop from last semester – a group of misfits who oddly enough, when arranged together around rectangular tables in a small classroom, seemed to fit perfectly together. There was the failed actress turned sex columnist; the former (and probably current) meth/crack/heroine addict, the spastic magazine writer with an unidentified eating disorder; the pretty but awkward Brazilian sportswriter who’d slowly gone in a downward spiral until she underwent gastric bypass and discovered that she was actually a genius and joined MENSA (“You know what we do in MENSA?” she said to me over lunch one day, “We compare medications.”)

There was the old woman who sat defensively with her shoulders hunched nearly to her ears and whose hair was so dry I feared it would burst into flames at the slightest friction. I detested her at first because her first essay sucked, and then I sort-of-kind-of reluctantly admired because she took the writing teacher’s advice and made it much better when it was workshopped again. There was the Indian girl who had, back in India, been in an abusive relationship. She had fought with her parents until they agreed to let her come study in the States and was now, according to Facebook at least, in a loving same-sex relationship. And there was the professor, in her late thirties and beautiful in a devil-may-care way and slightly aloof. A winning combination for any professor or woman, for that matter. Everything about her I learned from the sex-columnist and other classmates who adored her and wanted very much to take another workshop with her, though I felt distanced from her, partly because she didn’t seem, most of the time, to want to be in the classroom. She was an adjunct and had another real, full-time job as the editor of an online magazine. I went to visit her once at her office and we had a short conversation (“I’d like you to speak up more in class,” she said. I nodded. “Anything else?” I shook my head. “Okay then.”) before it became clear that she had to get back to work, real work. The kind that paid the bills. 

And there were my counterparts – the girls like and unlike me – who had grown up in loving suburban families, who had never done drugs (until they did finally do drugs), who had held a string of odd part-time jobs (strip club waitress, 9/11 archivist, Costco cashier assistant), who had traveled and who wanted to continue traveling but who, at the same time, wanted some sort of internal anchor to keep us centered even when we were in the air. We could write well about a few things, but weren’t sure in the long run if that’s what we could do without running out of words or energy.

Suddenly, with birthday pizza on my lap in the copy room of Company X, I felt like I was in class again – Introduction to Real Life…?– surrounded by the corpses of English majors past that had now been repurposed into living breathing copywriters, all dressed almost exclusively in Madewell and J. Crew (the higher up you are the more full-priced items you can buy!). I got a weird sinking feeling that I and my thrift-store wearing, Brooklyn-living (except I live in the Upper West Side), part-time job-holding, chain-smoking classmates were fooling ourselves in thinking that writing for ourselves could somehow bring us the emotional and material life we wanted. It seemed that these girls, even that damned playwright who seemed to fit in so well despite his side job (though seriously, which job did he consider his “side” job?) must have, at some point, had similar dreams. Until the morning they woke up and turned uncomfortably onto their sides, seeing through the open window, “Oh! Reality.”

I wasn’t depressed, not quite, not yet, but I left the office feeling like a new cog in a giant, though much more fashionable, start-up-ish wheel. It didn’t help either that the walk home that night was bone-chillingly cold. The sounds of the street, usually welcoming after spending an entire day cooped up in my studio, seemed abrasive. I was now one of the hundred thousand people walking home from a tiring day at work. The wind hit my cheeks in sharp, icy slaps. I wasn’t underdressed, but was cold to begin with because I had sat and sat, staring at painfully cheery copy until my innards froze from physical inactivity and my right hand, on the mouse, had turned blue as it usually does when I leave it in that position. The light above my work desk had gone out so my corner had been a monotonous grey except for the blinding glow of the computer screen. 

I frowned about these things as I went down into the subway. I frowned as I stood waiting with other people just getting off work, most of them also frowning or bearing no expression at all. In the subway, a man played Spanish guitar and several people frowned a little less as they walked by, deciding after a few steps to return and drop a dollar or two in his open guitar case. On the train, I frowned as I was shoved to the left side doors, then to the right side doors, then towards the middle of the car. I frowned too, when a dirty old homeless black man boarded and began to sing, “I’ve got sunshine on a cloudy day,” informing us that he was in fact, “singing for supper.” I looked away, still frowning. When he left for the next car, I looked at the young men and women and at the not-so-young men and women around me, most of them tired, all of them trying to make a living in various fields. I guessed that most too, had more responsibilities than I, to children, to wives, husbands and parents. To themselves.

I wasn’t being fair. I didn’t have to be, but I ought to try. Especially with former English majors who had read the same books I read, loved the same authors and poets and used, when they could, the same language. Their jobs didn’t define them anymore than an MFA would define me, than the sour smell of the homeless man defined him. They had merely gone a different way and I was passing through, looking. 

I stopped frowning, but I didn’t smile either. I was dreading the stairs up to my apartment. I held my keys ready as I came out from underground and walked passed the two bums, one of whom was already fast asleep, himself undoubtedly having gone through a trying day and the other still “working,” though he shivering, stomped his feet and blew onto his hands. His gloves were thin and filled with holes. His sign was crumpled, but I could make out the two words that seem to appear in every homeless man’s message: “Help…God.”

“I get it, God,” I thought, looking up, “I get it.”

In the dark chilly skies above my warm apartment, God shrugged. He hadn’t said anything. 

Writers, Copywriters

On my second day at work, we celebrated my supervisor’s birthday. She’s a tall, quiet vegetarian, a year younger than I and was one of the two who interviewed me. On screen she’d reminded me of certain British actresses, pretty in that romantic English rose way (though she’s from Vermont), with bright eyes, dark lashes, flushed freckled cheeks, thick brows and curly hair that she keeps in a low, messy but elegant bun. She’s slightly more expressive over our office instant messenger than in person, but only slightly. She’s very polite. Wears chunky sweaters and jeans, worn boots, simple jewelry. Her legs are strong and I wonder if she took horse-riding lessons when she was younger, or if she still does. She’s from a good, probably privileged family, but I’m guessing her father is a stern man who doesn’t believe in treating his daughters like princesses. When she sits, she keeps her hands folded between her legs and rubs one thumb with the other. One gets the feeling that she’s waiting for something better – a better job, a better guy – but also that she doesn’t know what she’s waiting for. One gets the feeling that she is, at her core, a very patient young woman.

At noon, the smell of cheese and tomato sauce filled the cold air of the copy room and in unison, a handful of girls yelled, “Surprise!” I turned around to find that a few senior girls from the copy team had ordered pizza, beer and Ben and Jerry’s and had quietly arranged it all over a giant round table in the center of the room. We pulled our chairs up around it and ate with plates on our laps.

“Any fun birthday plans?” we asked the birthday girl. She shrugged, her face flushing. She embarrasses easily. 

“Just dinner with my parents,” she said softly.

“How’s it feel to be 26?” asked a 24-year old. 

The girl groaned, as though she had been thinking all morning how to answer, “I don’t know,” she said, shaking her head, “It feels the same.” 

“It’s all downhill from here,” someone said jokingly, and the half of the room that was older than 26 (but only slightly) turned to glare. 

A few of the girls began inane conversations about old jobs, of which there had been just one or two, or none at all. I’m one of four new hires and on the older side of the copy team – 27 going on 28 – while most of the other proofreaders are 24, 25 and one new hire being just 23. 23 is the only black girl in the copy room (and so far, the only black girl I’ve seen in the company). She is exceedingly bubbly and, despite her obvious hurry to accumulate the markers of adulthood, seems childish compared to the more reserved, reticent copywriters. For one thing she joked twice in one morning about needing coffee (“Sooo much coffee. It’s so bad, I know. So bad,”) though she was just drinking it because she imagined real adults did so. She was clearly still running smoothly on the fumes of youth. She started working a week before I started; not long enough yet to tire of her commute from her parents house in Westchester County, which is about an hour and twenty minutes by train, her last transfer being the one, the same line I take to get downtown. Though judging by how fresh faced 23 seemed coming out of the subway station compared to my morning death mask (and my commute was only half the time of hers) I felt she could and would handle it for as long as necessary.

On my second morning we had exited the subway station together and I said hello at the crosswalk. She tugged out her headphones and smiled, “Oh hey!” and we walked into the building together. In the elevator she learned that I lived on my own in the Upper West Side.

“That is so cool,” she said, clasping her hands together, “My goal is to move out and have my own place in the city by 2015. I wanna move out here so baaaad.”

23 loves the job more than it will love her back – genuinely friendly people, according to disenchanted employees on the company’s GlassDoor profile, don’t make it far at Company X’s New York office, which is run at all levels by competitive, high achieving and mostly female staff– but 23 is well, 23. She’s starry-eyed. Optimistic. All the things a 23-year old should be. And she’s especially enthusiastic about the company’s perks, which include a gleaming kitchen filled with healthy, organic free-for-alls, unlimited soda, fresh fruit, tubs of Greek yogurt, a beer tap (yes, you heard that right. A beer tap. On my first day I filled a mug thinking it was hot water. “It’s beer,” someone said. I nodded, looking into the foam and then quickly dumped it), bagel Fridays followed by a weekly company-sponsored happy hour, discounts to high end gyms and team outings and plenty more – though admittedly, my gluttonous self is happy about these things too.

At the birthday lunch 23 was the most voluble and gushed about how much she was liking it so far at Company X.

“So different from my old job,” she said, telling us she’d worked at a textbook publisher, “You guys actually celebrate birthdays here and that’s awesome.”

She proceeded to share several more things about the company she found “awesome,” and I sensed the senior copywriter, the one who had probably hired twenty-three, doubt the 23-year old’s vocabulary.

No one asked me about my last job, which seemed very long ago. Instead, a few of them had heard through the grapevine that I was a grad student.  

“English?” one of them guessed.

“Creative writing,” I said. Then it occurred to me to ask, “Was everyone here an English major in college?”

They looked around at each other at first, hesitating as though I had accused them of something embarrassing, until one by one they began to nod. All the girls save for two said yes (we are all girls except for one guy, a part-time copywriter whom I can’t decide is gay or not. He’s an actor and-playwright and is currently starring in a Fifty Shades of Grey parody called “Cuff Me.”). The exceptions had studied psychology and art history (“But with an English minor,” she said with a conspiratorial smile).

I nodded, “Oh cool.”

They too thought it was “cool”, that I was studying creative writing, but I got the feeling they meant “cool” in the way things you used to want were cool, until your priorities shifted and you decided that having a stable job with health benefits and a retirement plan were cooler. I don’t blame them. Security and a sense of direction (up, up that ladder!) can be pretty cool. I sensed that to this particular, well-dressed group, being an English major and all the fleeting little hopes that came with it (wanting to be a writer, maybe getting a PhD and teaching or working as an editor at a publishing house or magazine) had fallen away as the realities of making a living anywhere (and especially in New York City) manifested. 

It was like a dress they used to love but couldn’t bear to part with, so instead they kept it in the back of the closet. They still took it out to look at from time to time but either couldn’t fit into anymore or simply had no place to wear it.